The Washington Post's new newsroom. Image © Garrett Rowland
With its click-clacking typewriters and fog of cigarette smoke, the newsroom depicted in All the President’s Men, the Oscar nominated film about The Washington Post’s reporting on the Watergate scandal, hardly seems like the early ancestor of the Post’s current workplace. Yet it was. And the evolution from that Post newsroom to the current version—complete with wafer-thin AV screens, HD video cameras, and an elegant modernity—hinged on what is known as the convergence.